The excerpt below is from a Western Christian exegete, Alan of Lille (1128?-1203), a scholar and teacher who composed a number of works of Scripture commentary. While there are many similarities between this Latin commentary and that of Gregory of Narek’s Armenian commentary—they are both coming from a broad tradition of Song of Songs interpretation—there are also some marked differences. Alan’s allegorical reading moves along a different track: whereas Gregory read the Song as referring to the relationship between Christ and the soul, Alan here informs us of at least two possible readings. One is that of the Song being about Christ and the Church, a fairly common interpretation in the Latin West. However, such a correspondence is not Alan’s intention here. Rather, as he notes at the beginning of his commentary, he is going to read the Song as being about Christ and His Mother, the Virgin Mary. To a modern reader, even one sympathetic to allegorical and multi-valenced readings of Scripture, this is neither an obvious nor perhaps particularly tasteful interpretation. However, Alan develops it in depth and on multiple levels, as evidenced here. His interpretation is subtle and deliberately multi-valenced, developing a range of correspondences and meanings, some on a ‘literal’ level, others at a deeper allegorical or ‘mystical’ level. Finally, alongside the allegorical or mystical sense, Alan also wishes to develop a didactic or pedagogical meaning within the text. All of these levels are visible in this fairly brief excerpt, evidence of a fairly sophisticated and involved reading of one of the most treasured and commented-upon of all Scriptural texts in the Latin West.
2. … And so, although the song of love, Solomon’s wedding song, refers particularly and according to its spiritual sense to the Church, in its most particular and spiritual reference it signifies the most glorious Virgin: this, with divine help, we will explain as far as will be within our power.
3. So it is that in her eagerness for the presence of the Bridegroom, longing for that glorious conception of which she was told by the angel and out of her desire for the divine incarnation, the glorious Virgin speaks thus:
4. May he kiss me with the kiss of his mouth: This is but to say what is elsewhere said in these words: Behold the handmaid of the Lord, be it done unto me according to your word. For she had listened to the Archangel Gabriel who was sent to her as a heavenly proxy for her Bridegroom; and he honours the Virgin, filled as she is with extraordinary and spiritual blessing, and speaks a special and unheard of greeting: Hail Mary, full of grace, the Lord is with you. And when she heard that the Son of God would be born of her, she found no cause for self-congratualation in this news, she did not allow herself to be carried away by this word, nor did she take pride in herself because of her child; rather did she humble herself in and through all things before God; and, never doubting the prophetic word, she replied: Behold the handmaid of the Lord.
5. Which is the same as saying: be it done unto me according to your word, that is, at your word I will conceive the Word of God. And this is what is meant here by: May he kiss me with the kiss of his mouth….
8. For your breasts are more delightful than wine: Which is as much as to say, ‘You desire my kisses and I your breasts, for your breasts are more delightful than wine.’ I can read this literally as referring to the Virgin’s natural breasts, for the Gospel speaks of them in these terms: Blessed is the womb that bore you and the breasts which you have sucked. Which breasts are more delightful, which better, than those which gave milk to Christ, milk drawn not by the foulness of lust, but from the rich store of virginity? Christ longed for those breasts, he longed to draw milk from them, so as to experience not the deceitful taste of the flesh, but rather the antidote of her virginity. Those breasts were to Christ sweeter than wine, sweeter than the most pleasing of all drinks. For wine is the drink of drinks; it is what we mean we speak of ‘having a good drink.’
9. More fragrant than the finest ointments, that is, they may be compared to fragrance to the very best oils; for what oils emit by way of fragrance, the virginal breasts bestow in integrity. Because as the one attracts by its fragrance, the others nourish Christ on their auroma.
Alan of Lille, Commentary on the Song of Songs, trans. by Denys Turner in Eros and Allegory: Medieval Exegesis of the Song of Songs.